Omoiyari 思いやり in a Time of Grief: From Outrage to the Work of Reweaving

I’m holding this piece inside a wider field than opinion. Across the Great Southern Land, there is a shared grief that does not need to be named but to be felt. When something breaks in public life, the shock moves through us in waves. This may be a moment to let that shock deepen our questions, and to return to the slow intelligence that knows how to hold life.

Earlier this year in The Island Almanac, I wrote about the Art of Peace, then about Why Outrage is not Enough for Progress. What I want to reflect on now is how we recover a praxis (an idea into practice) of relationship: a lived, everyday practice of reweaving the social fabric, human by human, until belonging becomes more normal than polarity.

Many people are enmeshed with modern conditions that can under-hold us: urban speed, industrial economic models, dislocated community, hyper-mobility, the commodification of attention, and the quiet thinning of local civic life. In that atmosphere, nervous systems become more reactive, meaning-making becomes brittle, and complexity starts to feel like danger. The pull toward binaries, good and evil, for and against, my people and your people, often arrives as a search for certainty when the ground feels unstable. Not only that, algorithms reinforce these hardened attitudes.

Through Manfred Max-Neef’s lens, conditions for hardened attitudes in our social life are a symptom of unmet human needs: protection, affection, participation, and identity. When these needs are not reliably met, we reach for substitutes that imitate safety or belonging for a moment, while narrowing the relationships that could meet those needs more deeply. The invitation is to cultivate synergistic satisfiers: forms of community life that meet multiple needs at once, so complexity becomes holdable again and the social fabric can begin to knit. Think shared gardens, local markets, cooperative projects, and convivial gatherings that return people to one another in simple, repeated ways.

Anthroposophy offers me language for diagnosing these times without collapsing into blame. It begins with the human being as more than a political identity or an economic unit: a being of spirit, soul, and will, whose health depends on balance between thinking, feeling, and doing. When culture over-trains the head and under-nourishes heart and hands, thinking can harden into ideology, feeling can spill into volatility, and the will can lose direction. Outrage can then become both a moral signal and a discharge, and without a deeper container it can scorch relationship, the very medium required for transformation.

This is why I keep returning to an older seed-story in my own life. When I was eleven, I attended a peace conference in Japan with children from fifty-six countries. Since then, I have continued supporting the Asian-Pacific Children’s Convention in Fukuoka as a peace ambassador and chaperone for Australian children. At the heart of that gathering is what they call omoiyari 思いやり: a secular ethic of considerate attention, a discipline of recognising another’s reality and responding with care as a daily practice. It is sometimes described as “sending one’s thoughts to others.” I have come to understand it as the willingness to let another person matter enough that your actions adjust around their presence.

Photography by Emily Samuels-Ballantyne, at 2011 Asian Pacific Children’s Convention in Japan

Omoiyari is practical. You notice what might help someone feel safer, lighter, more included, and you respond, often before they need to ask. You make space in conversation. You slow your pace to match someone else. You bring what will help without announcing it. You choose words that protect dignity. This is small-scale, human-scale peacebuilding.

So what does it mean to practise omoiyari in Australia, especially when grief is close and the cultural atmosphere is hot with agitation? When the collective nervous system tightens and begins scanning for certainty, the work becomes a different kind of strength: to stay with the ache without turning it into a weapon, and to build social forms that can hold the human being.

Here, Steiner’s threefold social understanding offers a useful map for cultural repair. In the threefold picture, society is healthiest when three realms can breathe in their own way: a cultural and spiritual life free enough for living thinking, education, art, and meaning-making; a rights life that treats people as equal in dignity; and an economic life that becomes associative, cooperative provisioning of needs rather than extraction as the default. When these realms collapse into one logic, community thins, people become functions, and a function cannot feed a soul.

This is also where I want to acknowledge First Nations knowledge systems with care and humility. On this continent there are deep traditions grounded in Country, kinship, reciprocity, responsibility, and continuity. Without appropriating, we can still be guided by the ethical direction: relationship is the substance of life, and place is a teacher. When we listen respectfully to what First Nations people say about community life and gentle ways of living, we are called away from abstraction and back into pattern, where repair becomes a living act carried through relationship.

From this ground, I want to offer a nurturing kind of clarity for the forward vision: softness as life-making strength, the capacity to create conditions where something good can grow. This is clarity that illuminates rather than humiliates. It is authority expressed as stewardship, through conditions that help life thrive. In anthroposophical terms, it is the heart remembering it can sense what is true, and the will learning again how to serve life instead of moving from fear.

What might this look like in practice for Australians right now? It can look like rebuilding the village layer of society as deliberate culture-making. Small, repeated gatherings that thicken trust. Shared meals. Working bees. Repair cafes. Community gardens. Parent circles. Walking groups. Spaces where people can be present with difference without being reduced to their opinion. Alongside this, it can look like a civic skill we practise: returning to breath when outrage rises, so the nervous system stays inside the body and care remains capable of relationship. It can look like investing in cultural life that nourishes, including education, arts, local storytelling, and ritual. It can look like strengthening rights life so dignity is protected in practice, not only in principle. It can look like building more cooperative economic forms, including local food systems, co-ops, local energy, and care networks, so meeting needs becomes a practice of cooperation rather than a theatre of fear.

I have witnessed both the absence and the presence of omoiyari in Australia. I have seen politics harden and pressure erode compassion. I have also seen people show up quietly for one another, and neighbours carry each other through difficult seasons. Tasmania has been one lens for me, because on an island you can feel the social atmosphere quickly, yet this is not only a Tasmanian story. It is an Australian one.

This is the heart of what I want to offer as a continuation of my earlier essays: peace is a practice, outrage is a signal, grief is a threshold. The way through is slower and more human. It is the work of reweaving, rebuilding the social fabric until the binary spell loosens, until belonging becomes more normal than contempt, and until we remember that the opposite of polarisation is relationship strong enough to hold difference.

Omoiyari is not a foreign ideal. It is an attention-practice we can speak in our own language: care, neighbourliness, mateship made real, village culture built deliberately through the choices we repeat. The invitation now is simple and practical: to become cultivators of life, creating conditions where what is most human in us can grow again.

With love and Con Viv,
Emily / Dr Demeter

Emily Samuels-Ballantyne, PhD / Dr Demeter is a Tasmanian-based regenerative designer, biodynamic herb farmer, educator, and policy-oriented researcher. Her work brings together living systems design, conviviality, and place-based governance to help communities build conditions for care, belonging, and ecological repair. She leads Magical Farm Tasmania, a small farm and learning site, and Regen Era Design Studio, a design studio supporting community scale food systems, regenerative enterprise, and public sector reform. She is also developing Con Viv, a long-form body of work and practical framework for relationship-centred agriculture and cultural renewal.

Emily’s peace activism began early. At eleven, she attended an international peace conference in Japan with children from fifty-six countries. Since then, she has continued supporting the Asian-Pacific Children’s Convention in Fukuoka as a peace ambassador and chaperone for Australian children. Her public writing and community work focus on restoring the social fabric through everyday practices of attention, cooperation, and locally rooted cultural life.

YoFence and the Living Philosophy of Magical Farm Tasmania

By Dr Demeter (Emily Samuels-Ballantyne)

At Magical Farm Tasmania, our work is as much about cultivating conviviality and community as it is about cultivating soil and soul. The farm is a living philosophy, a regenerative lifestyle experiment where community, ecology, and imagination intertwine.

Each Thursday, our landcare group gathers to restore and tend the land. Volunteers learn about regenerative farming, herbal wisdom, and biodynamic rhythms, farming in sync with the cosmos. We explore the sevenfold patterns that shape life: seven days of the week, seven chakras, seven inner planets, and seven biodynamic plants that correspond with them.

From this ecosystem grew YoFence, a practice that unites the sword and the soul, fencing and yoga. Inspired by Eastern Body, Western Mind, YoFence invites courage, conviction, and connection. The sword represents clarity and boundaries; yoga, holistic union. Together they form a living metaphor for what our world needs in 2026: a way to move beyond binaries and commodification toward authentic connection, to people, place, and planet.


In early 2026, I’ll be offering a seven-day YoFence immersion (January 1 – 7 at Urdara, Hobart), a transformative beginning to the year. Participants will explore embodied regeneration through movement, mindfulness, and nature-based ritual. It will be fun, creative, and deeply grounding.

For those who can’t join the full retreat, you’re warmly invited to participate in our Thursday Landcare days, meet our community, and experience how we are farming the future in festivity, food, and friendship.

This work also flows into the Regen Era Design Studio, our policy and design initiative rooted in the soil. We imagine new ways of shaping governance and the food system so they align with the living principles of nature itself.

YoFence has become my way of transmuting grief of a broken world into creative leadership. Like mycelium, this vision spreads quietly underground, connecting hearts, ideas, and places into one living web. To join the January 2026 immersion or volunteer with the landcare group, visit: www.magicalfarm.org/bookings

Tarkind: Painting a Living World Back Into View

We began Tarkind in 2022 as a small collective, myself and my son Zach, invertebrate biologist Dr Keith Martin-Smith, and palawa woman Gemma O’Rourke, to weave science, story, and art into everyday care for place. We are excited to announce our 2025 Tarkind community art and citizen science day! Firstly I want to share why we want to educate about living systems.

Why a living-systems lens?

In Tarkind we work from a simple conviction: life works in relationships. Fritjof Capra calls this the systems view of life: living beings, communities, and ecologies are networks of relationships whose health depends on patterns, flows, feedback, diversity, and rhythm, rather than on single parts. For Capra, this isn’t only biology or ecology; it’s also ethics and meaning. When you see the web, a quiet spiritual intuition follows: we belong to something larger. That belonging is not a doctrine; it’s a practice of attention, of noticing consequences, caring for cycles, and letting our actions be accountable to the whole.

Daniel Christian Wahl extends this into culture. His question is: what kinds of cultures help places to heal? He invites us to design for regeneration, work that leaves people and places more capable than before. That means place-sourced learning, bioregional thinking, circular use of materials, and stories that grow responsibility rather than extraction. In his frame, art, education, and landcare are not extras; they are cultural technologies that renew our capacity to live well together.

How this shapes Tarkind

  • Walk, notice, name. We use iNaturalist and field journaling to see the web, Capra’s patterns are therefore made tangible.

  • Paint what we felt and found. The art is how the insight lands in the body and the community; it keeps the story alive.

  • Plant and repair. Regeneration is Wahl’s litmus test: did our time together leave the place more resilient?

This is also the heart of my Con Viv work, head, heart, and hand in one movement, supported by David Orr’s reminder that all education is environmental education, and Satish Kumar’s call to hold soil, soul, and society in balance.

Photography by Ness Vandeburgh Photography

Why it matters: a living-systems worldview builds tolerance (difference is an asset), love (care becomes structure: roles, rhythms, and repair), and a gentle spiritual stance (reverence for the whole we share). If more of our schools, councils, and neighbourhoods worked this way, conflict wouldn’t vanish, but it would have somewhere useful to go, into listening, making, planting, and the slow renewal of culture.

What is citizen science?

Citizen science is everyday people helping do real science. We notice, record, and share observations, photos, sounds, simple measurements, and those data feed into research, conservation planning, and education. It’s hands-on learning that turns curiosity into evidence: you don’t need a lab coat, just attention, respect for place, and a phone or notebook. For kids and adults alike, it builds ecological literacy, confidence, and a sense of belonging to the living world.

Photography by Ness Vandeburgh Photography

Who are the Great Southern BioBlitz?

The Great Southern BioBlitz (GSB) is a southern-hemisphere biodiversity event held each spring that invites communities to document as many species as possible over one long weekend using platforms like iNaturalist. Local groups host walks, workshops, and mini-surveys; participants upload what they find; volunteer identifiers help name species; and the pooled results give scientists and land managers a richer picture of local ecosystems. We collaborate with GSB to connect our Tarkind walks and art sessions to this wider effort, so every observation we make together becomes part of a bigger, shared map of life in our region.

Next event: Magical Farm × Great Southern BioBlitz × Magical Farm Landcare Group, Sunday 26 Oct 2025, 10:00–2:30. We’ll gather at Magical Farm, convoy to Allens Rivulet Track for the Bioblitz, then return for a shared lunch, Tarkind community art, and a short planting. Bring iNaturalist, warm layers, water, a plate to share, and an art canvas (large or small) + paints. Families welcome. Message me for details.

Tarkind is a reminder: when we live with life, the future stops being an abstraction and becomes something we can touch, tend, and paint together.

Beyond the Hashtag: Why Progressive Platforms Must Build Futures, Not Just Protest

In today’s hyperconnected world, moral outrage travels fast. From War and injustice to salmon farms and destruction to ancient forests. Activists and leaders with platforms flood social media with sharp critique and heartfelt calls for justice. Yet, for all the powerful voices and viral hashtags, the conversation often stops short of what comes next. Moral clarity is necessary but not sufficient.

“When progressive leaders wield their megaphones only to condemn without creating pathways forward, they cede the future to corporate boards, militaries, and political hardliners”

The real challenge is not just to name what’s wrong but to build convivial governance, systems where communities are invited into genuine conversation, co-creating the institutions they will live within. Convivial governance treats imagination as an organ essential to democracy. It insists that governance must be of the people, not imposed from above; it thrives on dialogue, shared responsibility, and an openness to diverse futures. This methodology is urgently needed in places like Tasmania, where industrial salmon farming disrupts ecosystems and silences community voices; in forests under threat of over-extraction; and in global hotspots like Gaza, where decisions are made far from the lived experience of those most affected.

“These struggles, though geographically distant, share a common thread: the failure of top-down governance and the absence of meaningful participatory design”.

Tools for convivial governance already exist.

Yet, too often, influential thinkers like Naomi Klein illuminate the systemic roots of injustice without stepping into the generative space of scenario-building and solution design. She speaks powerfully about global crises but rarely opens her platform to the messy, grounded work of co-creating alternatives with affected communities.

Progressive leaders with reach bear an ethical responsibility: to shift from reactive outrage to proactive convivial conversation, inviting followers into structured, inclusive spaces where futures are imagined, tested, and refined together. This is how movements mature and how change becomes sustainable. Without this shift, the “day after” will always belong to someone else.

It is time to move beyond the hashtag, toward using our imagination as the most important organ of our time.

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About the Author
Dr Emily Samuels-Ballantyne (also known as Dr. Demeter) is an eco-philosopher, farmer, and author of the forthcoming series The Spiral Shelves: Living Library of Magical Farm Tasmania. Her work bridges policy design, ecological healing, and the spiritual-cultural renewal of place. She works at the intersection of community resilience, regenerative governance, and embodied stewardship, inviting new myths and models for living well together in times of great change.